Morocco just beat Canada 3-0 to reach the 2026 FIFA World Cup quarterfinals, becoming the first African nation to accomplish the feat in consecutive tournaments. The Atlas Lions’ victory on July 4-5 sends them into a blockbuster quarterfinal clash against France on July 10 at Boston Stadium.
Morocco’s 3-0 dismantling of Canada builds on their breakthrough run at the 2022 World Cup in Qatar, where they became the first African team ever to reach the quarterfinal stage. No other African squad, not Ghana in 2010, not Cameroon, not Senegal, has managed to string together consecutive deep runs. Morocco just did it in an expanded 48-team format that requires more competitive matches.
Celebrations erupted among Moroccan diaspora communities worldwide, with particularly visible scenes in New York’s Steinway neighborhood in Queens. The 2026 tournament, co-hosted by the US, Canada, and Mexico, has placed these moments of national pride directly in front of massive North American audiences.
Fan tokens, the digital assets that give holders voting rights on minor club decisions and access to exclusive content, tend to see sharp volume spikes when national teams or their club-level players generate headlines. Platforms like Socios, built on the Chiliz blockchain, have historically seen trading volumes surge during World Cup knockout rounds.
The quarterfinal against France on July 10 adds another layer. Paris Saint-Germain, whose roster has historically included French national team stars, operates one of the most traded fan tokens in the market.
FIFA itself has been exploring blockchain applications for ticketing and digital collectibles, building on its FIFA+ Collect platform that launched NFT-style digital assets during the 2022 tournament.
The risk, as always, is that fan tokens remain largely speculative instruments with limited real utility. Most holders can vote on things like which song plays at a stadium or what design appears on a team bus.
Disclosure: This article was edited by Editorial Team. For more information on how we create and review content, see our Editorial Policy.

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